Fri 02.07 – Sun 29.08.21
Locations: Rotondes & Casino Luxembourg – Forum d’art contemporain
Locations: Rotondes & Casino Luxembourg – Forum d’art contemporain
Conceived as a platform for young emerging artists, the Triennale strives to support contemporary artistic creation in Luxembourg and the Greater Region. The theme for the 5th edition is “Brave New World Order,” as suggested by Kevin Muhlen, curator of the exhibition and director of the Casino Luxembourg – Forum d’Art Contemporain. It gives the Millenials (a generation that has never known a world without internet) the possibility to express how they perceive today’s society and the future.
Claire Andrzejczak, Marie Biaudet, Morgane Britscher, Émilie Brout & Maxime Marion, Emma Cozzani, Stefania Crisan, Jessica Da Silva, Catherine Dauphin, Arthur Debert, Julie Deutsch, Aurélie d’Incau, Krystyna Dul, Camille Fischer, João Freitas, Marine Froeliger, Axel Gouala, Jean-Baptiste Grangier, Elodie Grethen, Julien Hübsch, Tim Jungmann, Lynn Klemmer, Thomas Lasbouygues & Kevin Senant, Aude Legrand, Julie Luzoir, Mad Trix, Dany Mucciarelli, Elsa Muller, Manon Nicolay, Sarah Niecke, Suzan Noesen, Bruno Oliveira, Valentin Pierrot, Charles Rouleau, Tania Soubry, Clara Thomine, Vince Tillotson, Marina Uribe, Julie Wagener
The Triennale is produced by Rotondes in collaboration with the Casino Luxembourg – Forum d’art contemporain.
curator: Kevin Muhlen / scenography: Morgan Fortems / visual identity: Jérôme Knebusch
with the support of ING Luxembourg
Mon, Wed, Fri, Sat, Sun
>13:00 – 19:00
Thu >13:00 – 21:00
Closed on Tuesdays
Mon, Wed, Fri, Sat, Sun
>11:00 – 19:00
Thu >11:00 – 21:00
Closed on Tuesdays
Thu 15.07 + Thu 12.08.21
>19:00 – 21:00
Registration: email hidden; JavaScript is required
To remain true to its mission of developing the art scene, the Triennale moved online during the one-year postponement due to the pandemic, and invited the 40 selected artists and collectives to exchange ideas and share the stages of their work via a digital platform. The website is accessible now, and is definitely worth visiting before the exhibition opens.